Anybody Can Write

As a writer, I hear from would-be writers all the time. They used to write, hope to write someday, had a teacher who told them they should be a writer, and a few who have been working on a novel for years.

The thing about writing is that anybody can do it.

I’m not just saying that. It’s true.

Anybody can write.

What they write, the quality of it, the success of it, well, that’s another story, but that’s not the point.

I believe Continue reading “Anybody Can Write”

Writing Dangerously

The thing about writing is that you are always taking a risk. If you aren’t taking that risk, then you’re probably not writing anything that matters.

teacher at white board.jpgIf there is no danger involved, you are likely regurgitating a five-paragraph essay for your high school English teacher.

Doing what’s expected, what won’t raise any alarms or get anyone fired up enough to challenge you, is flimsy writing. It won’t hold up; it won’t motivate anyone to change their lives or fire off a rebuttal, let alone turn the page.

The well-worn sentiment that you can’t please everyone all the time, should be tattoed on your forehead as you write. Do not write to Continue reading “Writing Dangerously”

All Writers Are Insecure

I think all writers are insecure.

Or maybe it’s just that all people are insecure.

None of us feel like we have it all together. Or live up to our own billing. We worry that Continue reading “All Writers Are Insecure”

The Real Flannery O’Connor

I’m fostering a little dog named Flannery O’Connor.

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She’s a quirky little pup from the mountains on the Virginia-Tennessee border, so the name fits.

I spent an inordinate amount of time creating Continue reading “The Real Flannery O’Connor”

You Really Don’t Need to Tell Them

My youngest son is a good writer.

In fact, all my kids are good writers. (so sayeth their proud mama.) But my youngest son invites me to edit his writing on occasion so I have more opportunity to read what he writes.

Like many high school students schooled in the art of the five-paragraph essay, he’s been trained to – tell them what you’re going to tell them, tell them, and then tell them what you told them.

And he’s very good at essay – particularly argumentative essay (don’t know where he gets all that passion from….)

I was comfortable with that format when I was a teenager. It made writing a little less subjective. Clear objectives make me happy. I like to know what I’m aiming at.

5 paragraph xmas

The formulas that work in essay-writing don’t apply as well to fiction writing (or memoir).

It should be more like – Continue reading “You Really Don’t Need to Tell Them”

Lay Your Truth on the Page

Every writer loves promoting their books.

Not.

I’m deep in the midst of promoting my latest book and, to tell you the truth, this time around is WAY fun. That’s because I’m sharing almost every event with a dog or two.

Dogs make everything better.

Truth.

My last three books were novels – stories I made up sitting at my laptop on long afternoons and pre-dawn writing jags. I crafted characters and lived their lives- but only in my head.

The main character in my latest book, Another Good Dog: One Family and Fifty Foster Dogs, is much more real…. Me.

So instead of dreaming up my drama, I lived it.

It’s easy to take risks when writing fiction, everyone knows you’re making it up, even if they suspect you’re actually writing about them (but changed the names and distinguishing features).

It’s another thing entirely to take risks while writing memoir. Memoir is nothing if not Continue reading “Lay Your Truth on the Page”

Give the Reader a Little Credit

“Assume they are wearing pants.”

pants

I’m not certain which famous author wrote that in an article I read in which rich and well-known writers were asked for their best piece of writing advice.

I’m also not certain how many times I’ve quoted it to creative writing students. It used to hang on a little sticky note on my computer monitor, but it’s probably lost amongst the dust bunnies behind my desk now, the sticky long since dried up.

I’m a wordy writer. If it weren’t for the countless editors who forced me to bend to their word count will, I probably never would have been published. I tend to over-tell you what’s happening, repeat myself, as it were.

When you’re writing a clever personal essay where voice is the most engaging feature, you can get away with extra words. But in fiction, readers have no patience for the writer who explains every turn of the doorknob and unfolding of a napkin.

‘Assume they are wearing pants’ means that there is much you can trust the reader to figure out on his or her own.

You don’t need to write that your character brushed his teeth or pulled on his pants or went to the potty or drove to work. You can trust your reader to figure out by the time your character ‘stepped out of the elevator on the sixth floor of the Bronson building ready to conquer the world or at least the part of the world that dealt with Fifteen-millimeter straws ’ that all of that has happened.

But maybe your character was late? You might need a few of those steps. ‘Fred brushed his teeth, as he drove, weaving in and out of his lane frustrated by the slowpoke in front of him mentally rehearsing his presentation which should have started ten minutes ago. In the elevator, he noticed his socks didn’t match and he had toothpaste on his tie.’

I still didn’t tell you that he put his pants on, but I’m pretty sure you know he’s wearing pants. Otherwise, everyone in the elevator would be staring at him, right?

Details are important, but the only details you need to include are the important ones.

Hey, thanks for reading. I know you’ve got lots of options, so thanks for sharing a few of your minutes with me.

Honored,

Cara

If you’d like to know more about me, my books, and where you might run into me, check out my website, CaraWrites.com.

If you’d like to subscribe to my (sometimes) monthly e-newsletter, click here.

If you’re a dog lover, check out my other blog, Another Good Dog.

I’d love to connect with you on Facebook, twitter, or Instagram, and I’m thrilled to get email from readers (and writers), you can reach me at carasueachterberg@gmail.com.

COMING AUGUST 7 2018 FROM Pegasus Books (available for preorder now:

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