Hey, it’s been a minute since I last wrote, hasn’t it?
Lately I’ve been distracted by a HUGE project that is exciting and scary and so, so important to me. It’s a dream I’ve had ever since the first time I stepped into a southern animal shelter and saw what was happening, and thought, “How the heck can this be going on in this country?”
This country is big-hearted, generous, and completely obsessed with dogs. How do I know this?
Thanks to the pandemic, though, it feels like any other day. There is no launch party, no celebratory signing, no champagne with friends even.
I’m planning a Facebook LIVE at lunchtime on my writer page, but I’m certain it will feel as lonely as every other LIVE I’ve done—talking into the abyss and wondering when I finish if I’ve connected with anyone.
Releasing a second book during this ‘unprecedented time’ feels like the final nail in the coffin of my dream to ever make-it-as-an-author. I had such high hopes for this year. I thought it was the year that I would ‘arrive.’ The less-than of every moment leading up to this book feels unfair and personal, as if God doesn’t think I can take a hint.
These are the thoughts spinning through my selfish mind. But then my heart says, “Get over yourself; this isn’t about you. It never was.”
On the mind vs heart equation, I usually operate at about a 40-60 ratio, but I think I’ve finally realized that if I want to be happy—really happy—in my life, I need to get to a 20-80 or even a 10-90 on the mind v heart battle.
So, shoving aside all the business and planning and success factors of my writing career, I’m overjoyed that Blind Turn is out in the world. It’s a book I have poured so much into and a book that has saved me again and again. Not only did it land me both of my agents, it has pulled me back into the fight again and again when I’ve all but given up and gone to work at Walmart.
Blind Turn is a story that sums up my own philosophies about life—everyone deserves a second chance and no one is irredeemable; we need to be present in all the moments of our life and conscious of the fact that any single moment can change everything; and more than anything, real love requires forgiveness on a daily, sometimes hourly, basis.
Those might be the three tenets of my life. And there they are in this story. I never set out to write a story about any of those things, though. I simply dreamed up a few characters, tossed them into a situation that scared the heck out of me, and wrote through what happened.
And as I wrote, my heart spoke its truth, sometimes surprising me on the page.
Blind Turn isn’t a classic or a parable or even literary fiction. It likely won’t find its way onto a bestseller list since it is coming out with an independent press few people have likely heard of, but it’s finally real. It’s loose in the world, my heart’s message to the masses.
Incredible thanks to the people who have always believed in this book, and in doing so believed in my heart, and in my mind’s ability to tell a story worth reading.
Hey, thanks for reading. I know you’ve got lots of options, so thanks for sharing a few of your minutes with me.
Blind Turn is a mother-daughter story of forgiveness in the aftermath of a fatal texting and driving accident. Learn more about it and read a few early reviews here.
If you’re curious about what else I’m up to, check out my website, CaraWrites.com.
If you’d like to subscribe to my (sometimes) monthly e-newsletter, click here.
My book, 100 Dogs & Counting: One Woman, Ten Thousand Miles, and a Journey Into the Heart of Shelters and Rescues was released this past July from Pegasus books and is available anywhere books are sold, but if you’d like some help finding it (or want to read some lovely reviews), click here.
Finding the time to write isn’t always as hard as finding the focus to write.
My house is full of distractions—animals, chores, deliveries, laundry, phone calls, the list goes on and on especially since this has become as much our bunker as our home.
And then there’s the other inhabitants who are currently working from here instead of where they have always worked for most of my writing career. I am never alone at my house. And even if these people are on a different floor, doing their own thing, not paying a lick of attention to me, their presence stifles my writing.
The hardest part of writing is the first line—it’s just summoning up the gumption to start.
Some days I sit for minutes that drag on and on, finger poised over the keyboard, unmoving. When nothing comes to me, I distract myself with e-mail or Instagram, talk to the dogs, or scroll through Facebook, anything to delay those first words.
As a writer, I hear from would-be writers all the time. They used to write, hope to write someday, had a teacher who told them they should be a writer, and a few who have been working on a novel for years.
The thing about writing is that anybody can do it.
I’m not just saying that. It’s true.
Anybody can write.
What they write, the quality of it, the success of it, well, that’s another story, but that’s not the point.
The thing about writing is that you are always taking a risk. If you aren’t taking that risk, then you’re probably not writing anything that matters.
If there is no danger involved, you are likely regurgitating a five-paragraph essay for your high school English teacher.
Doing what’s expected, what won’t raise any alarms or get anyone fired up enough to challenge you, is flimsy writing. It won’t hold up; it won’t motivate anyone to change their lives or fire off a rebuttal, let alone turn the page.
I’m reading a book called A Million Miles in a Thousand Years by Don Miller. I’m not sure how it landed on my bookshelf, but I’m making a concerted effort to read the books I have, so I recently picked it up.